Download Phil Duncan-Complete Chromatic Harmonica Method PDF

TitlePhil Duncan-Complete Chromatic Harmonica Method
File Size5.9 MB
Total Pages122
Table of Contents
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Document Text Contents
Page 2

fI ~,

MEL BAY'S
COMPLETE
CHROMATIC
HARMONICA
M E-TH O D BY PHIL DUNCAN

[I] Introduction/Page 5 [2:38]
[2J Middle C/page 7 [:43]
[]] C~/Page 8 [:55]
[Il Enharmonic Tones [:42]
W D/page 10 [:40]
[]] D::/Page 11 [:31]
[[] The Natural Sign [:36]
[]] Musical Measures & E~ [:39]
[]] Ex. ll/page 13 [:22]
[QJ E & Time Signatures/Page 14 [:31]
[TI] Ex. 13 [:23]
[1gI Phrases-Ex. 14, 15, & 16 [:45]
[1]J Ex. 18/Page 17 [: 17]
[11 Ex. 21/page 18 [:28]
~ Tonal Shading [:48]
[1]] Ex. 26/Page 20 & 21 [:33]
[Z] Ex. 28/page 22 [:38]
[1]] Ex. 30/Page 24 [:32]
[1]] Ex. 33/page 25 [:32]
l2QI Ex. 36-37/Page 26 [:42]
l21l Ex. 43/Page 29 [:32]
l22l Ex. 44-Tempo/Page 30 [:47]
1231 Ex. 45-Chromatic EtudeiPage 31 [:55]
I§I Ex. 47-Eighth Note/Page 32 [:33]
~ Ex. 49-Sixteenth Century/Page 33 [:52]

.. .,
CD CONTENTS*

~ Ex. 50-A~/Page 34 [:26]
jgzJ Ex. 54/Page 35 [:27]
[g§J Ex. 62/page 38 [:37]
~ Ex. 65/Page 40 [:26]
@Q] Ex. 70 & 71/page 43 [:48]
ruJ Ex. 73-C Scale/Page 44 [:35]
~ Ex. 74-C Blues Scale/Page 44 [1:02]
~ Ex. 76/Page 45 [:28]
~ Sharps & FlatslPage 45 [:55]
~ Ex. 83-Chromatic Scale/Page 48 [:24]
~ Ex. 84-Coventry CarollPage 48 [:48]
~ Ex. 87-Darl< EyeslPage 50 [:41]
~ Ex. 94-C,D,E,F/Page 54 [:34]
~ Ex. 100-Graceful WaltzlPage 57 [1:30]
~ Ex. 101-Slide In/Page 58 [:30]
Illl Ex. 104-An Evening Prayer/Page 60 [1: 12]
~ Ex. 106/Page 61 [:27]
~ Ex. 109-Upper CrusVPage 63 [:35]
~ Ex. 110-Twice as Much/Page 64 [:41]
~ Ex. 115-Lower Octave/Page 67 [:27]
~ A Song of IndiClJPage 68 [2:58]
~ Whispering HopeiPage 70 [1 :45]
l1§J Over the Waveslpage 74 [2:01]
l1m Irish Folk Song/Page 77 [2:10]
!2Q] Ex. 123/page 78 [1:18]

~ Ex. 125/page 80 [:22]
!§g] Explanation/Page 81 [1 :11]
~ Ex. of Octaves/Page 82 [:18]
~ C,D,E,F/Page 83 [:21]
~ Danube Waves/Page 85 [1 :30]
~ Bourree/Page 89 [:50]
l§ZI Cantabile/Page 89 [1 :22]
I§§l Ex. 140/Page 92 [1 :25]
~ Romeo & JulieVPage 93 [1 :55]
fQQI Ex. 143/Page 94 [:29]
l§1J Ex. 146/Page 95 [:54]
l§gJ Ex. 147/Page 96 [:44]
~ Ex. 151/Page 99 [:27]
~ Ex. 155-Aria in D/Page 101 [:40]
[§Ş] Ex. 158-Key of B~/Page 103 [:29]
[§§I Ex. 163/Page 106 [1 :06]
[§ZI Ex. 164/Page 107 [:49]
I§§] Ex. 168/Page 109 [:29]
@il Ex. 170/Page 110 [:27]
IZQ] Ex. 173/page 111 [2:34]
ITI] Ex. 176-Key of E/page 113 [:27]
[ZgJ Ex. 179/Page 114 [1 :07]
lnI Note from the Author [:28]

*This book is available as a book only, CD only or as a booklCDIDVD configuration.

If you have purchased the book only, a recording (MB93890CD)
of the music in this book is now available. The publisher strongly
recommends the use of this resource along with the text to in-
sure accuracy of interpretation and ease in learning.

4 5 678 9 O

© 1983,2005 BY MEL BAY PUBLIGATIONS, ING., PACIFIC, MO 63069.
ALL RIGHTS RESERVEO. INTERNATIONAL COPYRIGHT SEGURED. B.M.1. MAOE ANO PRINTED IN U.SA

No part of this publication may be reproduced in whole or in part, or stored in a retrieval system, or transmitted in any form
or by any means, electronic, mechanical, photocopy, recording, or otherwise, without written permission of the publisher.

Visit US on the Web at www.melbay.com - E-mail [email protected]

Page 61

Slide in

./ 1 2 3 4 5 6 7 8 9 10 11 12 " I
DDDDDDDD8BDD ~

" /
NOTE: Tongue use remains same throughout.

C#orD~ Written d# or e b Written C# Db d# eb
~ ~"

~a

~
la Izu

C sharp is located an d sharp is an the 4th
3rd space of the Musi- ® line of the staff. e flat ®
cal staff. D flat is an

1
is an the 4th space of

T the 4 th line of the the staff. Both are musical staff. Both DRAW in hale 9.
are BLOW in hale 9.

E#
Written f#org ~ Written ar F Eţ F f# gb

~
#n a

~
#a ba

f sharp is an the 5th
E sharp is an the 4th line of the Musical
space of the staff. ~ staff. g flat is an the t F is an the 5th line 1 space above the staff. of the Musical staff. Both are DRAW notes Both are BLOW notes in hale 10.
in hale 10.

SLIDE IN

0 C~ d# E# f# , i #n 1 la 1#" #e I#m #r 'r #r II
1 T r 1 , Gf

@) @

~ t

58

Page 62

UPPER CHROMATIC

@

f4 ! r #Q I Ir 'r lE t I r jr I iţ r
9 (9) 9

1
10 , 10 , 10 10 t t ! t l l i

f !'F r I~r r lE F LOt rlzE ~ J I~r F II
j 9 i

9 9 10 9 10'10 l' 9 ® '9
l I t r f t i J t t I

CONCERTO NO.I INC

@
P. 1. Tchaikowsky

Andante if C Dm ( 1840-1893)

f
m~

Pil ---- IJ ~ (ill 2 i j ebn IJ r· DU r· D I .
7 6 5 5 10 9 10 10 8 8 7 9 10 7 9 8 7

t t + t l ~ J t J t l J t 1 ~ + t
,....
IJ

C

f'+ J. l I J. jJ*J I J.
7 5 6 7 5 5 6 7

t l t t J + f t
6 7 7 5 9 8 7 11 10 9

c

1+
Dm

f r
.

w P I D Cf I r·
9 10 10 11

t r t t
c

~tr ~ D7

:f ~ J J J adi ~ r r
rit.

II
. D7 J

E r r I El ti:
9 8 a 6 7 8 7 7 8 8 9 10 9 10 7 8 8
j j t t j j t j j t j t It 1 1 1

59

Page 121

EXAMINATION

1. A music staff is composed of ___ lines and __ spaces. Name the lines . ___ _
Name the spaces. ___ _

2. The top number in the time signature tells the __ of counts in a ___ _
The lower num~er tells the kind of note that gets count.

3. In i tirne a whole note ( o ) gets --counts. In â time a half note ( J ) gets
___ counts.

4. The musical alphabet is composed of __ letters. Theyare _____ _
5. When a piece begins with an incomplete measure, we find the remainder of the

count in the measure.
6. Rests are signs of .
7. When two notes of the same pitch are tied,<LJ ) should the second note be

repeated? ________ _
8.
9.

10.

What are dynamics in music? ______________________ _
Enharmonic tones are two tones of the same ____ _
A natural sharps and flats.

A TEMPO .. .
ACCENT ... .
ACCIDENTAL.
ALLA BREVE.
ALLEGRETTO
ALLEGRO ...
ANDANTINO
ANDANTE ..
AUGMENTED
CANTABILE
CON MDTO .
CON ESPRESSlO)1E .
CRESCEN:JO . .
D.C. al fine
DECRESCENDO
DlMINISHED .
DOLCE ....
ENHARMONIC
FLAT ...
FORMATA .
FORTE ...
FORTlSSlMO
GLISSANDO
LEGATa
LARGO ..
LENTa ..
MARCATa
MEZZO FORTE.
MEZZO PlANO
MO:JERATO.
NATURAL
PlANa
PIANISSlMO .
POCO ....
PRESTO
RITARDANDO

DICTIONARY

to return to the original tempo
to make a note louder
a sharp or flat not in the key signature
twice as fast
tempo between allegro and andante
quick, cheerful, lively
quicker tempo than andante
slowly, walking speed

.' Larger than
· singing style, smooth
· with motion, quick
· with expression
· gradual increase in sound (louder)

Da Capo; to the beginning then to "FINE n
gradual decrease in sound (softer)
less than
sweetly

· two notes of the same pitch, but two different names
lowers a tone one-half step
to hold -:-.
loud (f)
very loud (ff)
sliding the scale
smooth and connected
very slow tempo
slow
March tempo
Medium loud (mf)
medium soft (mp)
medium speed
cancels a sharp or flat
soft (p)
very soft (pp)
Httle
very quick, brisk

SHARP raises tone one-
half step

TEMPO time
TEMPO DI VALSE . waltz tempo
TENERAMENTE .. tenderly

rit ... , to slow down the tempo

118

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